In an attempt to discipline the possibilities Yamaha has provided a number of handy presets, most of which can be user-modified to taste.
Thanks to those extra speakers the built-in DSP sound massager can change in myriad ways how the output bounces round the room and hits my ears. But the audio boffin behind, say, the 1956 LP “Songs for Swingin’ Lovers!”, wasn’t to know that I have a 5.1 surround sound system, and this Straight rendering, distributing the mono signal evenly between my two front speakers, leaves the centre and two rear speakers unemployed. “Straight” lets me hear the sound as the recording engineer intended. The RX-V679 offers extensions and improvements on the same features. “Personalized” meant that all these acoustics could be modified by the user. As a major vendor of musical instruments Yamaha had access to music venues around the world, and the acoustic data collected enabled the company to offer ready-made acoustics emulating these environments. Sold as a “Natural Sound Digital Sound Field Processor” the DSP-1 offered “16 Sound Effector Programs for your Personalized Sound Reproduction”. The UnRAID Story: The Prasanna AddendumĭSP (Digital Soundfield Processing), commonplace in hi-fi units today, was revolutionary when in 1985 Yamaha introduced its DSP-1.The UnRAID Story (Chapter 4): Time to Cache In.The UnRAID Story (Chapter 3): More Room for Data.The UnRAID Story (Chapter 2): Getting Even.
Opinion: The Paralysis of Positive Thinking.Data Sheet: The X-plore on the Shield Gotcha.Data Sheet: Low Energy Audio and the Future of ASHA.Data Sheet: Dust and your DLP Projector.
#DOES YAMAHA PURE MUSIC WORK PRO#
Data Sheet: DeBloating the Huawei P30 Pro.
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