Its location, in one L.A.’s most polyglot corners, has been a mixed blessing. Because it’s important whether people have a lot of money or no money that they still have access to quality.”įunded by individual donors, government grants, business sponsors and the philanthropic largesse of the late New York custom-shirt baron Mortimer Levitt and his wife, Mimi, the MacArthur Park site is one of several Levitt venues around the country.
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has been very intentional about allocating budget and structuring our organization in a way that still maintains roots in the neighborhood, yet we make sure that we’re bringing world-class music to build intercultural understanding and to put venues on a professional platform. “It’s people who have MacArthur Park as their backyard, and it’s people who love music from far and wide, and sometimes they overlap and sometimes they don’t,” she said of Levitt audiences. arts groups, with Snehal Desai taking over as artistic director of Center Theatre Group and other members of a new, diverse group of cultural leaders blowing up the status quo.īecause of its location, and the polyglot audiences it attracts, the Pavilion can continue to play a lead role in this kind of artistic “bridge-building,” she said. In an interview Padilla said she regards this as “a key moment” for L.A. Like practically every arts organization in the world, the Levitt series is trying to rebound from the pandemic and the upheavals of the Late-Trump era, while programming for increasingly varied audiences (ethnically, linguistically, financially).
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